The Gopay custom font family features a sophisticated fusion of sans-serif and serif typefaces. The existence of this duality offers a wide variety of typographic alternatives, providing visual uniformity throughout various Gopay design system implementations. Inspired by the twists found in vernacular typographic culture, these fonts harmoniously blend modern forms with nuanced remnants of the past....

Godwit Family is a geometric sans serif typeface derived from the main objective of Traveloka's newer brand refreshment, maintaining a few key aspects such as inclusive yet unique, aspirational yet approachable, and energetic yet credible throughout Godwit Family. To name a few of Godwit's characteristics, they have an over-exaggerated upper/lower-half proportion on several letters, most notably 'a', 'c', 'e', 's', 'B', 'C', 'G', and 'S' as well ...

Blu Sans is a custom font for BCA Digital's banking platforms. Blu Sans produced a distinctive, ownable typeface that was legible yet sophisticated, inspired by the ends of the stems, implementing the share of the waves. The typefaces consist of multiple typographic colours and weights, from the light weight into the boldest weights in black. The result of Blu Sans was a dynamic and sophisticated font that is equally clear and accessible for all ...

GoTo Sans is a custom sans serif typeface with modern and distinctive letters, inspired by digital technology feels that makes this typeface well suited for GoTo brands foundation. It scores high on the readability scale and works well in both digital and printed mediums, while the weights almost covered basic usage for every media and application....

Tiket Odyssey is a new custom font that plays its role as a powerful additional asset to the Tiket.com design system. The design was a mixture of most common Grotesk style letterforms and monolinear contrast, for the Display version, by adding emphasis on round corners to establish the brand image that is fun, friendly, and approachable. On the other hand, The text version quite similar to its Display parent by appearance, Odyssey text was optimi...

Plus Jakarta Sans is a fresh take on geometric sans serif styles, designed by Gumpita Rahayu from Tokotype. The fonts were originally commissioned by 6616 Studio for Jakarta Provincial Government program's +Jakarta City of Collaboration identity in 2020. Taking inspiration in Neuzeit Grotesk, Futura, and 1930s grotesque sans serifs with almost monolinear contrast and pointy curves, the fonts consist of modern and clean cut forms, the x-height dim...

Buka Sans is Bukalapak’s brand new typeface, the typeface designed to expressing brand uniqueness, and slight quirkiness inspired by Bukalapak company’s spirit of fun. The custom typeface introduced as a new brand asset for Bukalapak’s new brand identity, it has an expressive personality and effective functionality to conveying brand communication. As the result, the typeface has ten styles ranging from Light for elegant communications to r...

We designed custom typefaces exclusively for Thinking Room Inc internal communication, Jakarta based design company, in collaboration with Eric Widjaja, Ritter Willy Putra, and other Thinking Room designers. TR Grotesk is inspired by early twentieth century geometric sans serifs, with district characters like angular cuts, circular counters, and reimagined the balancing experimentally harmonized tones of how brands can shifting into the modernism...

GPN Sans is vibrant type family for Bank Indonesia brand’s GPN (Gerbang Pembayaran Nasional), with precise geometric construction of grotesque style and contemporary oriented. Designed with open shapes lowercase to leaving the distraction on legibility especially in small sizes to provide clear information, a sharp cuts on the edge adapted based on the clean and fine cut on GPN wings, while its uppercase create strong and safe personality....

Jenius Sans is a compact companion of Jenius, an online banking platform from Bank BTPN. Jenius sans represents the continuity, flexibility, and possibilities of the brand to work with its visual system, how the brand weave in and out of the lives of the public. The consistency of each character shown in this typeface clearly little bit ‘tech-savvy’ with spurless on n, u, etc that was what make this typeface easily to recognize....